Modern House Renovation in Australia

Renovation is a way to make an existing house different about facade, function, comfort or any reasons. David Barr Architect has done a renovation for Westbury Crescent Residence where is located in Perth, Australia. The renovation project aim to make the home modern and sustainable, one of approach is to minimize extravagance by reusing the existing structure and element.

Westbury Crescent Residence by David Barr Architect:

 “A 65 square metre alterations and addition to the rear of an existing Federation brick and tile house which aims to extend the perceptual space of the project. Daylight is funneled deep from the north, morning light reflected in from the east, filtered zenithal light washed down from above and ambient light scooped inwards from the south.

These same apertures capture visual moments from both the adjacent and surrounding site through a large northern glazed and screen sliding wall, a considered eastern slither and a southern clerestory window projected beyond the buildings edge.

The project is formally manipulated to sculpt atmospheric and functional light into designedspaces thus turning an originally introverted residence inside-out.

The project is located near the Swan River in the southern suburb of Bicton. It is a small alterations and additions, that replaced a derelict, lean-to at the rear of an existing Federation brick and tile house.

In the east by an attached neighboring dwelling with an irregular eastern boundary, a 6m high boundary parapet wall to the north and shared access right of way to the south. The project therefore sought to extend perceptual space through the considered placement of apertures capturing visual moments far beyond the prescribed site boundary.

The external and internal form of the new work was manipulated to sculpt atmospheric and functional light into crafted spaces, thus turning the originally introverted residence inside-out. One enters, through a small light filled aperture located at the end of the generously volumed hallway of the existing residence.

A large northern glazed & screened sliding wall, a considered eastern slither, filtered zenithal light and a southern clearstory window projected beyond the buildings edge.

The character and memory of the existing cottage are maintained as the primary streetscape. Only subtle hints of the new addition are revealed between interstitial spaces when viewed from the streets edge.

From the link space, day to day living spills onto the outdoor decks & steps. Therefore neighbourly interaction is encouraged in side yards not concealed in private backyards. The new built form has strong connections to the existing site and house, whereby the surrounding context directly influences the ‘form’ of the building and the position & sizes of the resulting apertures.

The neighbouring parapet wall to the northern boundary required an elevated light scoop to provide for winter sun. The fire rated boundary wall construction to the east, encouraged zenithal light to filter into the laundry space whilst a large clearstory southern window in bathroom provides privacy from the adjacent neighbouring properties.

The originally narrow termite ridden lean-to, with its poorly located toilet and adjacent disused dining space, was demolished and replaced with a isolated laundry, bathroom and a functional dining / kitchen space which has became heart of the house.

The considered placement of program not only provides strong spatial connections between the old and new but also activates previously under utilised spaces both inside and beyond.

The architecture of the project is not found in quantitative square metre assessments but in the experiential qualities, which pervade each space. A new link set perpendicular to the existing hall binds new spaces to the existing residences and intertwines adjoining programmatic functions.

This circulation space is economically set within the dimensions of adjoining areas whilst a clear counterpoint between old and new is maintained via a low ceiling and the subsequent compression of overhead volume.

The bathroom and laundry are masked physically and visually through operable door panels. However there still remains the attempt to provide delightful, naturally Lit sculpted spaces within.

The detailing of a simple external form, clad in a low cost corrugated skin, provided the opportunity for a greater emphasis to be placed on the materiality and manipulation of interior experience.

The small project works within 65sqm of contained built footprint but ultimately activates 150sqm of previously unused surface. Not only were new outlooks provided beyond the definable limits of the project but the design also allows a new and immediate experience of place – previously not offered by the old home.

Through the considered crafting of natural light all spaces remain well lit throughout the day without the requirement for artificial lighting. When night prevails, all light fittings are low energy LED.

A large sliding screen to the north, covered with stretched sail-shade fabric is operated to regulate sunlight & ventilation as well as provide privacy and a surface for movie projections.

Sustainability was sought not through complex technical solutions but through the original decision to retain the majority of the original family home.

The scheme proposed a reworking of the existing 2×1 into a 3×2 configuration, rather than a tabula rasa approach. During the course of construction 70% of waste materials were recycled through a waste management company.

The selection of a light coloured roof and wall cladding aimed to minimise solar absorption. This was initially a variation to council regulations due to it being deemed a highly reflective material. With this project as a contributing precedent the council are now undertaking the process of amending their town-planning scheme to allow for the use of these efficient building skins.

The clients provided a clear direction for their aspirations of both physical and visual engagement within the building, whilst the builder’s openness to refinement aided the precise rafting of such experiences.

We therefore see the project team as consisting of the client, architect and builder intertwining knowledge in the collective pursuit of an architectural resolution.”

Photography by: Bo Wong

Car Paint Designs Ideas

What Are The Best And Worst Aspects Of Modified Cars?

When it comes to modifying cars, there's some pretty decent examples of how to do it right. Sadly though, there comes a time when it doesn't look so great, but not that this would put off any prospective car modifier. In homage then to the some of the best and worst modified cars, here at Cars4Sale we have established a list of some of the things we love and hate when it comes to suped up machines.



We see and sell on a variety of different cars, some modified monsters and some beauties – we'll always find a home for them, but we've so many we had to share our thoughts on what are the best and worst modified cars. So here it goes:



Best Aspects of Modified Cars



Fine Tuning

We love cars that have been fine tuned, with turbo engines, enhancing their engine size, capacity and ultimately speed. This is what modifying your car is all about and we doff our cap in appreciation for those that start off with their engine. Evo's that can beat the Ferrari's or Impreza's making mincemeat of Lamborghini's; fundamentally this is the whole point of modifying cars.



Vehicle Wrapping

This can make any modified car look the bee's knees. There's nothing better than seeing an awesome car with eye catching and sporty looking wrapping over it. Recently it's been used in various forms, such as company promotion, protecting paint work and to give an all round flashy look. You'll also see wrapping in motor sport as manufacturers will use it to advertise sponsors on their vehicles. It's a great way of trying out news colour schemes and designs without affecting the original paintwork of the car. So when it comes to selling your vehicle on, you can either keep it on, or have it removed to have you car restored to its original self.



Swapping Engines

As mentioned, modifying cars isn't just about the aesthetics. It's about getting your car fine tuned, so it performs to its best. That said, there are still really cool aesthetical modifications you can make, but it's important to concentrate on the engine first and foremost. The idea with swapping engines is fairly old, and even though it's considered sacrilege, you can enhance the power of your pride and joy tenfold.



Worst Aspects of Modified Cars



Cambers

Originating from Japan, the name comes from the way the wheels of the car incline sideways. This makes the car look like it's been squashed, with the wheels of the car pointing outwards. Not only does this not look right, but it doesn't exactly help the performance of your vehicle. In the worst case scenario you'll see cambers that make the car look like they've folded up. Not a good look.



Big Wheels

There is a fascination when it comes to modifying cars, and that's to include big wheels. Whilst this may look good on large SUVs and even some Sedans, it looks terrible on smaller cars, especially if the arches are made bigger too. It makes the car look like it's on roller-skates, and you'll get no performance benefit out of it whatsoever; no extra speed, no more grip or better stopping. So if you're thinking of suping up your coupe, stop to think before you add 22s to it.



Interior Disasters

Okay, we've all see Pimp My Ride, and some of the things they can produce is impressive. However, it's a television show people, and the people working on the cars are professionals. There's nothing worse than seeing an old clapped out banger, which has been given the ‘star' treatment, which contains luminous, bright and generally over the top colours, designs and accessories. Somewhere along the line, modifying cars went awry.



So there you have it, these were just some of the best and worst aspects of modifying cars. There are however many more. Whilst you may disagree, or agree, with our selection, that's the beauty of modifying cars, it's down to people's tastes and opinions.




Art of Invisibility: Clever Camouflage Car Paint Job Design ...
Art of Invisibility: Clever Camouflage Car Paint Job Design

Art of Invisibility: Clever Camouflage Car Paint Job Design ...
Art of Invisibility: Clever Camouflage Car Paint Job Design

101 Paint And Body Ideas January 2009 Custom Chevy Truck Photo 6
101 Paint And Body Ideas January 2009 Custom Chevy Truck Photo 6

zedge blog informations: Car Paint Design::.
zedge blog informations: Car Paint Design::.

Small Kitchen Ideas

10 Dealing Tips For Small Kitchen Design



Kitchen hasn't lot of space and you want to manage large things. It's hard to arrange lot of things in small kitchen. If you have idea about how to use the right design ideas in creating a more space, you can arrange lot of things within little space.



If you have a small kitchen and you are going to design. You will face the problem of designing, how you can fit and where. There are many different designed cabinets and surface patterns that can help you. You can design your small kitchen with a sense of space.



To design efficient kitchen, you have to work on three major areas: storage, lighting and appliances. Small kitchens seem to be very difficult design. But you can design easily because you can find that there are many designing options in the market.



A small kitchen requires creativity design in coming up with storage solutions. Some ideas to try include:



1. Set countertops along with wall. Countertops help to arrange lot of things.

2. To design galley under the countertops and up on countertops, there make 8 columns. Each columns store lot of pots.

3. Today's appliance manufacturers have come up with more compact space-saving appliances make small kitchen design easier, such as refrigerators that are 24 inches deep instead of 30 inches deep, as well as appliances that can be hung underneath cabinets like microwaves.

4. Most design tricks to create dining area in the kitchen include using folding tables with two small chairs that can be tucked into a corner.

5. Use colored lighting under cabinets within glass doors. That lighting will look more attractive.

7. Deeper counters can more increase work space and you can put the lot of pots in counters.

8. Fix the hanger on wall, where you can hang up pots and pans.

9. Install designed sink in the kitchen. You can wash posts easily in large sink.



Mostly kitchens are small. But after complete the designing in the kitchen; you'll notice that kitchen's featured are large. You'll think, good design means being able to create more space and being able to fit all necessary things in small kitchen.




Small Kitchen : Design, Ideas and Pictures for Small Kitchens
Small Kitchen : Design, Ideas and Pictures for Small Kitchens

33 Cool Small Kitchen Ideas | DigsDigs
33 Cool Small Kitchen Ideas | DigsDigs

Cape Kitchen | 10 Big Ideas for Small Kitchens | This Old House
Cape Kitchen | 10 Big Ideas for Small Kitchens | This Old House

Small Kitchen Designs - Ideas for a Small Kitchen - House Beautiful
Small Kitchen Designs - Ideas for a Small Kitchen - House Beautiful

Contemporary House From England, White Lodge

A British architect, DyerGrimes Architects has designed a contemporary architectural house named White Lodge that is located in Tandridge, England, UK.
This house stays above about 5 thousand square feet that is equipped with many kind of eco-friendly technologies and has determined the sustainable structure and material using for its long term advantages.

White Lodge by DyerGrimes Architects:

"The site was originally home to a 1960’s detached bungalow surrounded by tall trees and hedging with far reaching views to the Surrey Downs beyond. The area is populated by traditional pitched roof architecture typical of its green belt credentials. The proposed designs were unprecedented in the immediate area and subject to Tanbridge Council's strict planning requirements.

The site sloped sharply away to one side which would greatly limit the overall footprint of the building and the desired surrounding landscape. Following a rigorous planning process, Dyer Grimes Architects achieved consent to infill and level the site and build a highly contemporary house of 480m2. Modern building technologies were combined with the highest quality materials including hardwood cladding and white render with an abundance of glass throughout.

The glazed ground floor living space is surrounded by beautifully landscaped grounds, while the first floor appears to ‘hover’ over the kitchen dining area as well as project over the swimming pool. Great emphasis was placed on constructing White Lodge in an environmentally friendly and sustainable way. An impressive sustainability target was set; to generate 20 percent of the energy required by using renewable energy sources.

Energy efficiency has been maximized through the incorporation of Solar hot water collectors on the roof, a highly sustainable drainage system and an air source heat pump which circulates heat around the entire house. The result is a stunning modernist home which has won the admiration of the local community, the Council and the media alike."

Photos Courtesy from DyerGrimes Architects

Transportable House, Hypercubus

Styria, Austria, Studio WG3 shows a home design, Hypercubus with the design team Matthias Gumhalter and Cristian Reschreiter.

This minimalist house has built for tourism uses like an apartment function where it can be stay and spend a vacation. This box-shaped house is designed in unique and contemporary style where it has been equipped with unusual construction shape not only exterior but also the interior. This small house keeps the function trough minimizing the room usage and entertaining with the colorful lighting extension. The main design concepts are based on new design suitable in tourism, the house abilities that can adapt in open area how the house survive with self sufficient, transportable house by built it small house construction.

Architects: Studio WG3
Location: Styria, Austria
Design Team: Matthias Gumhalter, Christian Reschreiter
Photographs: Karin Lernbeiß